Leave No Trace: A Discussion About Our Impact On Wild Places

September 9, 2015 Sarah Marino

White Sands National Monument. Footprints will remain in these areas of hardened sand (so I didn't walk on them), but will disappear from the dunes themselves during the next wind storm.

I came to photography well after I started hiking and backpacking. Thus, my early sources of information about wild places all prominently featured advice about outdoor ethics, especially practices like Leave No Trace. If you are not familiar, the basic idea behind Leave No Trace is that travelers in the backcountry should strive to leave no evidence of their visit, minimize their impact, and if possible, improve the condition of the places they visit (leaving a campsite in better condition than you found it, for example). With many wild places experiencing increased visitation, human impacts can cause significant damage if visitors do not show this kind of respect and care during their visits.

Increasingly, it seems like some landscape photographers do not view these principles for outdoor ethics as applicable to our kind of outdoor pursuit and the damage left behind is becoming obvious in an increasing number of spots. I have recently engaged in a few online discussions on this topic and have found some of the responses disheartening, with some portraying the attitude that they are entitled to a photograph regardless of their impact. Other arguments favor a dismissive tone, downplaying any specific example as an exaggeration for nothing more than making a point or so minor that it doesn't matter (trampling some plants is no big deal). All this seems to be a sign of the times, with daily stories about how the forces of willful disregard, ignorance, entitlement, and narcissism combine to do a lot of damage to special places (click on the links for a sampling: national parks in general, the Appalachian Trail, Sedona, Death Valley, and Joshua Tree).

200+ Women Landscape & Nature Photographers Who Inspire

August 25, 2015 Sarah Marino

Why a compilation like this?

I will start out by saying that I am generally not a fan of women-only lists because I want my photography to stand on its own. I don’t want to be known as a woman landscape photographer, just a landscape photographer who happens to be a woman. So, why am I writing this post? For the two reasons described below.

Since I started in landscape photography, this field has noticeably diversified in terms of both race and gender. Significantly more women are pursuing landscape photography (or at least are more visible) and many have developed compelling, top-tier portfolios of work. More women are teaching workshops, running photo tours, writing, showing in galleries, selling prints, and providing leadership within landscape photography. Yet, we continue to be woefully underrepresented at the top levels of this field as evidenced by the overwhelming absence of women in publications, conference/summit/symposia rosters, podcast interviews, portfolio features, brand ambassador line-ups, and other symbols of achievement and relevance in landscape photography. And, when a woman is included, it sometimes feels like little more than a token gesture.

This dynamic seems to be increasingly frustrating to women photographers and I see more people speaking out about this lack of representation more regularly. Some women are responding with women-only workshops, publications, and collaborative groups to offer alternatives to the "business as usual" spaces in this field where few women are represented. And, photographers concerned about this under-representation are being more vocal in calling it out.

A Mini-Guide to Photographing the Hawaiian Island of Kauai

July 15, 2015 Sarah Marino

Most people think of the Hawaiian Islands as a perfect place for a relaxing, tropical vacation but they also provide some excellent opportunities for photography. We recently took a two week trip to the island of Kauai and highly recommend it as a photography destination (for reasons that this post will hopefully make clear!).

Kauai is known as the Garden Isle because of its lushness, with the claim to the “wettest spot on earth” becoming obvious after taking even a passing glance at the waterfalls and lush tropical forests covering much of the island. Kauai also has extensive beaches and strong waves, especially in winter, which together create good opportunities for photographing the ocean. The jagged green cliffs of the Na Pali coast are a frequent stand-in for any movie or TV show that needs a fantasy, dream-like tropical scene. On the drier side of the island, the winding Waimea Canyon offers expansive views of red rock layers dotted with bright green trees and impossibly tall waterfalls.

In this post, we summarize some of our favorite places for photography and share a few travel tips that might be helpful in planning your own trip to Kauai. Our research was aided through some very generous suggestions from our friend Orion some some of the credit for this post goes to him, as well (thanks, Orion!). As a little disclaimer, I will note that this post is meant to be an introduction based on two weeks on the island during the month of January. Conditions at some of these locations will vary quite a bit by season and this mini-guide is not meant to supplement your assessment of on-the-ground conditions. It is also not meant to be comprehensive - just a place to start your own research. If you are looking for local guiding, Aaron Feinberg would be a good place to start.

7 Tips for Photographing Smaller Scenes

July 9, 2015 Sarah Marino

If you would like to learn more about this topic, you might find our Beyond the Grand Landscape: A Guide to Photographing Nature’s Smaller Scenes to be a worthwhile investment. You can save 20% on your purchase of this ebook through July 15 with the code NPG20.

A fellow photographer recently contacted me for some tips on how to be more successful in identifying and photographing small scenes in the field. This photographer is very talented at taking photographs of grand landscapes but shared that they could use some help with identifying and photographing smaller scenes. This experience is common since taking photographs of smaller scenes does require the development of some different skills and a shift in mindset when compared to pursuing grand landscapes. And, since we receive similar comments and inquiries fairly often, this seems like a good topic for a blog post.

For the purposes of this post, smaller scenes include intimate landscapes, abstract subjects, patterns, textures, and artistic portraits of plants. Such photographs often, but not always, encompass a narrow field of view, usually lacking the sweeping nature of a grand scenic and focusing instead on the arrangement of the smaller details of a landscape. Such photographs also often rely less on the literal qualities of the subject (like tree bark or a plant) and instead focus on more abstract qualities like lines, curves, patterns, and textures. Photos that fall in these categories are generally crafted to convey a particular mood, emotion, or observation with a degree of intimacy, understanding, or closeness.

Chase the Light. Or Maybe Not...

June 23, 2015 Sarah Marino

A few years ago, a typical photography trip for us looked like this… Ron leaves Colorado, driving toward the Canadian Rockies. A few days later, he stops by the Edmonton, Alberta airport to pick up me and our friend Koveh. In a day, we are heading out on a 40-mile, 4-night backpacking trip into the heart of the Canadian Rockies (with Ron and Koveh both recovering from illnesses on the day we depart for the hike). After returning from our backpack, we spend two days driving all around the Canadian Rockies, chasing the light, following the weather, and seeing as many places as we can. Ron and I drop Koveh off at the Calgary Airport and drive to Vermont (yes, Vermont – 2,411 miles away), intent on chasing fall colors and foggy conditions.

We end up spending about a week in Vermont, Maine, and New Hampshire before clear skies come into the forecast. Following the clouds, we end up at Rickett’s Glen in Pennsylvania (383 miles away) for less than 24 hours, hiking along the 6-mile trail featuring 20+ waterfalls twice in one day, and leaving at an absurd time early the next morning so that Ron can drop me off at the Boston Airport for my flight home. Ron drives down to West Virginia and with clear skies in the long-term forecast, heads home as well after about three and a half weeks away.

Chasing the light… Chasing the weather… This is just what landscape photographers do.

Or maybe not.

Photographer Interview: Michele Sons

April 29, 2015 Sarah Marino

Michele Sons and I connected the way many photographers do these days - online. Although we have never met in person (at least not yet!), I have found Michele to be a kind, generous, and giving person. She is also a talented photographer, with a calming, meditative style that I find especially appealing. In addition to her portfolio of work mostly focused on the landscapes of the eastern United States, Michele recently returned from a trip of a lifetime to Antactica, which she discusses in depth in the interview below.

You can see more of Michele’s work on her website or you can join her on Facebook at Michele Sons Photography.

Photographer Interview: Candace Bartlett

March 17, 2015 Sarah Marino

We are excited to be featuring landscape and nature photographer Candace Bartlett on our blog today. I really enjoy and find inspiration in Candace's photography and wanted to learn more about her and her work, so Candace has been kind enough to pull together some really thoughtful answers to my questions. We hope you enjoy the interview and Candace's wonderful selection of photographs below.

You can learn more about Candace and her photography at her website and you can also find her on Facebook and 500px.

Call of the Desert

March 2, 2015 Ron Coscorrosa

Resting Rocks, Joshua Tree National Park

“The Desert is calling, and I must go” John Muir didn’t say, but I will.

The desert isn’t as easily loved as other landscapes, like the mountains in Muir’s famous quote. Its beauty is often more subtle, rewarding only those who are willing to slow down and fully immerse themselves in it.

To those who have learned to love desert, who have smelled the creosote or sage brush after a fresh rain, who have admired the way an ecosystem often inhospitable to humans is still thriving with life perfectly adapted to it, who have appreciated the often strange and surreal geological features that call the desert home, who have an inclination to solitude and open spaces, the appeal of the desert is undeniable.

Playing in Mud

February 26, 2015 Ron Coscorrosa

What do pigs, children, and nature photographers have in common?

We like playing in mud! (Note I didn't say if I was a pig or a photographer, it really depends on my appetite...).

In the United States, dry lake beds can be found in every desert region, though the Great Basin in particular is full of them. Death Valley National Park specifically has many, from the Racetrack Playa, the Panamint Playa, and some areas around the Eureka Dunes and Saline Valley. My favorite playa, due to its size and the ability to camp directly on it, is the Alvord Playa in southeast Oregon.

Adventures in Anza-Borrego

February 23, 2015 Ron Coscorrosa

Sarah and I just returned from a four week desert trip in our Airstream that included a stop in Anza-Borrego Desert State Park in southern California in late January and early Februrary.

Anza-Borrego occupies the western part of the Sonoran Desert called the Colorado Desert (I know, it’s confusing). Some of the classic Sonoran flora are here, including ocotillos, chollas (of many types), and the sublimely scented creosote.

Photo Consumption, Conformity, and Copying in Landscape Photography

February 11, 2015 Sarah Marino

I will start out this post with an important note. This is not a rant due to sour grapes or feeling left out of the clique of popular kids. When I was posting regularly on 500px, my images often made it to the front page and even filled the top slot on the site on a few occasions. I am also not intending to criticize or offend any individual photographers who are active on 500px but am instead commenting on the negative culture that the site promotes and feeds. I am somewhat hesitant to post something filled with a lot of negativity but decided to go ahead since I think a dialogue on this topic is important.

Landscape photographers have been engaging in a lot of dialogue about the 500px photo-sharing site lately and for good reason (many of the discussions have been on private Facebook pages about individual photographers and photographs, but here is a link to a recent post on the topic and one from Ron from a few years ago). 500px is having a strong influence on the landscape photography community and in the views of some, including me, this is not a positive development. I am weighing in and discussing some of the arguments that others have made on this topic because I find 500px's influence to be damaging to the direction of landscape photography overall and harmful for individual photographers who feel the strong pull to conform because of the site’s dominance. And even though I use 500px as the example, the points also serve to illustrate much larger trends in photography overall.

As a fellow photographer reminded me in an email dialogue on this topic, the 500px culture isn’t going to change. So why bother even talking about this? Because photography and the sharing of photography should be a positive, constructive, and enriching experience. I have heard from enough new photographers to know that the culture of the 500px website can be highly demoralizing and a single website should not have the power to stop budding photographers before they even get started or discourage talented photographers who cannot get traction on the site.

About Us

Ebooks and Video Tutorials

FEATURED Posts

SUPPORT THIS BLOG

SEARCH BLOG POSTS

Blog CATEGORIES

BLOG POSTS BY AUTHOR

RECEnt INSTAGRAM photos