Well, I missed my monthly update for February and lost all momentum with my weekly blog posts. The reasons: ephemeral conditions in Death Valley, finishing the second edition of our significantly expanded and fully revised Beyond the Grand Landscape ebook, getting a nasty cold, and saying yes to social time in the desert whenever an invitation popped up.
Read MoreBackyard Abstracts: Photos From My Ice Farming Operation
Over the last few years, we have occasionally put a tub of water in our backyard during colder weather to see if it might create some opportunities for photographing ice patterns. We never put much effort into this approach to photography because it seemed like we could usually find something more interesting in a natural setting. Enter Adam Gibbs and the preview pages for his new book, Land & Light. In one of the sample spreads, Adam shares a beautiful photo of frost patterns and describes the “ice farming” operation behind its creation.
This story made me decide to put a bit more effort into our own ice farming operation, especially since we were in the middle of a stretch of very cold weather. As I started experimenting with some new ideas, I hoped we might be able to create the conditions for frilly frost to form, like Adam showed in the photo in his book preview. Likely because of the humidity differences between damp Vancouver Island and dry southwestern Colorado, that frost never materialized as I had envisioned. With more experimentation, I eventually found an approach that created some tiny wild patterns.
Read MoreEntering a Photo Competition? Consider This Advice
I have recently served as a judge for a few different photo club competitions (in addition to being a judge for five award seasons with international photo competitions) and continue to see the same issues pop up. Some of the issues are really basic, like dust spots and tilted horizons, while others are far more subjective. With these experiences in mind, I share some advice to consider when you prepare your next competition entry (or magazine submission, gallery show entry, portfolio, or even your next social media post). This article represents the perspective of exactly one judge—me—so don’t consider it a checklist but instead a single point of view on a complex topic.
Read MoreSarah's 2023 Photography Year In Review
In this post, I share some highlights from 2023 along with some reflections on my current creative practices, thoughts about the direction of our photo business, some loose goals for 2024, and a short rumination about AI’s potential impact on my chosen career. If you are mostly here for the photos, you can skip ahead to the middle of the post. Before jumping into the text, I would like to thank you for being part of my photo community. I appreciate each of you and wish you the best for 2024!
Read MoreRon's 2023 Recap
While I am sometimes successful in avoiding cliches in my photographs, I am less successful in avoiding cliches for my blog posts. So here is my version of the yearly recap post!
The beginning of the year is a good time to reflect and ruminate on the past year, but since this is the end of the year, I’m going to skip all that and just share some photographs. These are not necessarily my favorite twenty photographs of the year but they are a diverse selection of the places we photographed and visited in 2023, arranged chronologically.
Read MoreSharing Your Photos in A PDF Ebook Portfolio: Why and How
Ron is sharing a new portfolio of his autumn photography from Colorado and Zion National Park today. Like most of our recent work, he is sharing the photos in a PDF portfolio ebook (you can download it here, no email address or sign-up required). Each time we share one of these new ebooks, we receive a lot of questions that fall into two categories: why do you share your work this way and how can I create a similar PDF for my own work? We will answer both of these questions in this article.
Read MoreThe Death Valley Landscape and Nature Photography Guide
To the uninitiated, it can seem strange to have a photographic obsession with a place called Death Valley National Park. Yet, after visiting for first time, most nature and landscape photographers quickly come to understand the appeal. The scenery is diverse, vast, surreal, and dynamic, all of which are qualities that make this landscape exciting for nature photography. For us, Death Valley holds the only permanent spot among our favorite places, with the other spots rotating based on recent trips we have enjoyed. It fully deserves this honor!
While visiting remote parts of the park is exciting, the more easily accessible landscape photography locations, like Badwater Basin, the Mesquite Flat Sand Dunes, and Zabriskie Point, are all equally incredible. This makes the park a great option for both short trips and extended explorations. Another benefit: when it is cold and snowy elsewhere, the weather in Death Valley is generally mild, at least at the lower elevations. With Las Vegas only a few hours away, this park is also easy to get to for anyone in North America.
Read MoreIntegrating Gratitude Practices Into Nature Photography
Thanksgiving is my favorite holiday, partially because it involves cooking a large, complicated meal and I always enjoy cooking—and sharing—large, complicated meals. My holiday meal this year was complicated because I did all of the cooking myself, not because I selected any fancy recipes. After integrating more modern dishes over the last few years, the traditional sides—sweet potato casserole, mashed potatoes, green bean casserole, biscuits, corn, and stuffing—seemed most appealing as I prepared my grocery list so those are the dishes that ended up on my table (in addition to a less traditional apple cake for dessert).
Another thing I appreciate about Thanksgiving is seeing other people share their gratitude. Amidst so much constantly heavy, negative news, it is lovely to enjoy a day of reading posts that focus on positive things. After seeing these many posts plus some news stories about the mental health benefits of expressing gratitude, I went down a rabbit hole of reading to learn more. This short article from Arthur Brooks at The Atlantic (gift link with no paywall) is a nice summary of the research, historical underpinnings, and practical advice about “Four Ways to Be Grateful—And Happier.” The reason I appreciated this article in particular is how Brooks likens gratefulness to exercise: to the reap the benefits, you have to practice.
Read MoreQ and A: Naturalist Apps, Connecting with a Landscape, and Photographic Celibacy
In August, a publication invited me to participate in an extended interview and then repeatedly delayed publishing it. Instead of hoping the interview might eventually run someday, I decided to withdraw it and publish it in two parts on my website instead. You will find part one below.
Read MoreNotes From an Over-Photographed Landscape
PREFACE: This is the introductory essay for ebook portfolios covering my extended 2021-22 trip to Death Valley National Park. You can download these ebooks, for free, here to see the full collection of photographs.
With our Airstream RV trailer, we are able to work remotely for long stretches, so we packed up for the desert and arrived in Death Valley National Park right before Christmas, 2021. We stayed through late February, 2022, giving us about eight weeks in the park. Aside from two weeks of formal work (teaching workshops), I photographed, hiked, or both almost every day. This portfolio is the result of those efforts.
By the time we left to return home, the list of Death Valley canyons I have visited had many new entries, for a total of fifty-four. I can now say I have backpacked across Death Valley’s floor, an experience that makes the incredible vastness of the park feel much more profound than contemplating those same distances from the roadside. The scenery, as always, was endlessly enchanting. Solitude was easy to find. With photography friends coming and going, the trip felt a little like summer camp. As with every trip to this park, the list of new things I want to see is much longer than the list I had when I arrived. With the weather getting increasingly warm in late February, I knew it was time to head home but still tried to convince Ron that we should stay for just one more week. Just one more.
Read MoreRon's Recent Work and 2021 Favorites
Sarah and I have had a busy last few months. Since late August we’ve driven to Chicago and photographed the Chicago Botanic Gardens, drove home to briefly photograph fall in Colorado, drove east to photograph Acadia with a quick stop in Vermont, drove home and left two days later for Zion National Park where we spent three weeks in the trailer and a few nights in our tent. All of this while working (me as a full time software developer, and Sarah by teaching at many of the places we were visiting). By the end, actually well before the end, we were exhausted!
I would much rather have this level of intensity where I spend multiple weeks in a location rather than the weekend warrior style of being at a place for 3 days and not getting a chance to explore it deeply. There is probably a healthier balance out there - one that continues to remains elusive though almost certainly involves less driving.
All of that is a long winded way of saying I have a bunch of new photos from Colorado, Vermont, Acadia, and Zion (over 150, I know…), and because it’s the end of the year, a gallery of my 50-ish favorites from 2021, all linked below.
Read MoreNew Ebook - Lessons from the Landscape: Yellowstone National Park
I am happy to announce my newest ebook, Lessons from the Landscape: Yellowstone National Park, which includes an almost entirely new portfolio of photographs, eleven personal essays, and six practical case studies. This is my most personal project yet, and I am excited to share it with you.
You can get the ebook for the discounted price of $19.95 through Tuesday, September 14. See below for more details.